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Rotterdam-based
designer Simon Heijdens is always the first to
point out that even as the natural world is in a continuous state
of growth and transformation, most of today’s designed products
and places are conceived to be fixed and immutable, offering a limited
set of possible uses and experiences. Heijdens challenges that position
in his own working practice by reintroducing the time factor into
objects and environments to arrive at design solutions that, like
Nature, unleash a continuum of expressions over time, thereby multiplying
the possible experiences we have of them.
He
believes that all the things around us act as continuous collectors
of images, sensations and memories from their immediate environs,
including the people who use and inhabit them, and he holds that
they can and should respond to their unique exposures through equally
distinctive physical expressions. They hold the potential to be,
in his words, “alive and talking.”
With
Moving Wallpaper, he created wallpaper with animated and
changeable patterns, its shifting pigment slowly exposing like a
polaroid picture. His Dirt project tracked the gradual
accumulations of dirt in Stockholm subway stations, creating a time
map of human movements in the underground network. While with Clean
Carpets, Heijdens applied patterned stencils and high-pressure
cleaning equipment to city sidewalks, claiming public space with
temporary erasures that 'fade' back to grime over time. Yet another
project, Broken White, explores the unfolding expression
of intimate personal items in direct correlation with their use,
creating a slow portrait of the user-object relationship.
Broken White >
Simon
Heijdens web site >
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